Tactility Studies

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      • I Am The Strongest Shape In The World
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This project comes out of an ongoing joint exploration of the notion of ‘The Body-as-Theatre’. How do we draw attention to the performativity of bodies in conversation with themselves and the world around them? How does our performance work provoke each person’s felt, subjective experience and effect intersubjectivities?

Production Info
Supported by Dance Nucleus, Singapore
Work-in-progress showing supported by National Youth Council, Singapore
Tactility Studies: Pandemic Distances was supported by Objectifs Centre for immaterial bodies

Production Credits
Co-Directors — Chong Gua Khee and Bernice Lee
Dramaturg — Corrie Tan
Production Manager — Lam Dan Fong 
Creative Presence — Joseph Nair
Visual Artist — Sheryll Goh
Phase 1 workshopping performers — Chan Sze-Wei, Benjamin Chow, Eng Kai Er, Julius Foo, Habibah Mohckeram
Phase 2 workshopping performers — Julius Foo, Adele Goh, Hasyimah Harith, Myra Loke, Wayne Ong, Toh Kwee Kee
Phase 3 & Work-in-progress performers — Julius Foo, Adele Goh, Myra Loke
Tactility Studies: Pandemic Distances — Adele Goh, Habibah Mohckeram
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© COPYRIGHT 2020. BERNICE LEE. ALL RIGHTS RESERVED. SELECTED SITE IMAGES COURTESY OF TAN NGIAP HENG.
  Bernice Lee - when I dance I make a sound
  • Home
  • About
  • Events
  • Ghosting
  • Tactility Studies
  • Choreographic Archive
    • Select Experiments
    • We The People
    • The I Trilogy >
      • I'm Guessing This Way Is Up
      • I Am Unentitled
      • I Am The Strongest Shape In The World
  • Writing
  • Teaching + Facilitating
  • Dance Classes
  • Contact
  • Home
  • About
  • Events
  • Ghosting
  • Tactility Studies
  • Choreographic Archive
    • Select Experiments
    • We The People
    • The I Trilogy >
      • I'm Guessing This Way Is Up
      • I Am Unentitled
      • I Am The Strongest Shape In The World
  • Writing
  • Teaching + Facilitating
  • Dance Classes
  • Contact