Choreographic Archive + Select Experiments
Touch You Later! (2020)
by Chong Gua Khee and Bernice Lee
Gerak ABC! (2020)
created for Rolypoly Family
Letters Come Alive! (2019)
created for Rolypoly Family
Time In Search Of Landscape and Emancipation (2019)
created for Lasalle College of the Arts Diploma 1 students
The Octopus Has Three Hearts (2018)
created for Lasalle College of the Arts Diploma 1 students
Baby Baby Mama Bear (2017)
created for Rolypoly Family, supported by Maya Dance Theatre
untitled sound x movement score (2017) with Chong Gua Khee
Half Better (2017)
We The People (2016)
The I Trilogy
A Scratch Sketch (2015)
with musician/composer Kailin Yong, supported by Maya Dance Theatre
Tales Tales Tails (2014)
with Shahrin Johry, for RELEASE 3.0 by Maya Dance Theatre
Tea At Two (2014)
with Guo Xiaoxing, presented at Solo International Festival for Performing Arts, Kaatsbaan International Dance Centre, Bangkok International Festival - supported by Maya Dance Theatre
Classroom Duels (2014)
created for Frontier Danceland's LEAP
Six Dancing Together (2014)
created for MOE-NAC Dance Talent Development Program
Three Dancing Together (2013)
presented at Jalan Batu, organised by Faye Lim
Living National Creatures (2013) + the audience performs
commissioned by Frontier Danceland for Dancers' Locker
"Bernice Lee’s Living National Creatures was about how we revere national treasures but also acknowledge their passing and their replacement by new generations. The overpowering soundtrack of the documentary Walking with Dinosaurs seemed to direct the dancers’ movements into postures that reconstructed the bodies of these giant animals in an overt interpretation of the theme. The dance took a fun turn, however, when she invited members of the audience onto the stage in what became one of the best instances of audience involvement I have seen. Allowing the volunteers to experience the postures with the dancers, run to regroup, and genuinely share the space became absorbing for both the participants and viewers." - Stephanie Burridge, Flying Inkpot, July 2013
Security (2012) + part two
created for Frontier Danceland's Dancers' Locker
Nine Dancing Together (2012)
created for Frontier Danceland's LEAP, presented at The Esplanade Theatre Studio alongside company's double bill
Touch You Later! (2020)
by Chong Gua Khee and Bernice Lee
Gerak ABC! (2020)
created for Rolypoly Family
Letters Come Alive! (2019)
created for Rolypoly Family
Time In Search Of Landscape and Emancipation (2019)
created for Lasalle College of the Arts Diploma 1 students
The Octopus Has Three Hearts (2018)
created for Lasalle College of the Arts Diploma 1 students
Baby Baby Mama Bear (2017)
created for Rolypoly Family, supported by Maya Dance Theatre
untitled sound x movement score (2017) with Chong Gua Khee
Half Better (2017)
We The People (2016)
The I Trilogy
- I'm Guessing This Way Is Up (2016)
- I Am Unentitled (2015)
- I Am The Strongest Shape In The World (2014)
A Scratch Sketch (2015)
with musician/composer Kailin Yong, supported by Maya Dance Theatre
Tales Tales Tails (2014)
with Shahrin Johry, for RELEASE 3.0 by Maya Dance Theatre
Tea At Two (2014)
with Guo Xiaoxing, presented at Solo International Festival for Performing Arts, Kaatsbaan International Dance Centre, Bangkok International Festival - supported by Maya Dance Theatre
Classroom Duels (2014)
created for Frontier Danceland's LEAP
Six Dancing Together (2014)
created for MOE-NAC Dance Talent Development Program
Three Dancing Together (2013)
presented at Jalan Batu, organised by Faye Lim
Living National Creatures (2013) + the audience performs
commissioned by Frontier Danceland for Dancers' Locker
"Bernice Lee’s Living National Creatures was about how we revere national treasures but also acknowledge their passing and their replacement by new generations. The overpowering soundtrack of the documentary Walking with Dinosaurs seemed to direct the dancers’ movements into postures that reconstructed the bodies of these giant animals in an overt interpretation of the theme. The dance took a fun turn, however, when she invited members of the audience onto the stage in what became one of the best instances of audience involvement I have seen. Allowing the volunteers to experience the postures with the dancers, run to regroup, and genuinely share the space became absorbing for both the participants and viewers." - Stephanie Burridge, Flying Inkpot, July 2013
Security (2012) + part two
created for Frontier Danceland's Dancers' Locker
Nine Dancing Together (2012)
created for Frontier Danceland's LEAP, presented at The Esplanade Theatre Studio alongside company's double bill