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    • MAMAMILKMACHINE™ >
      • Two Crayons (2022)
      • A Mother Prepares (2022)
      • bleelly and oto and iPhone (2022)
      • World Pacifier (2021)
      • Mama Made A Movie Star (2021)
      • Wo Bu Hui Zuo Ren 我不会做人 / I won't be human (2021)
      • This Right Now (2021)
      • Not Not A Paleontologist (2021)
      • Not Not A Manifesto (2021)
      • Not Not Not Not A Mother (2021)
      • Anticipation (2021)
    • The I Trilogy >
      • I'm Guessing This Way Is Up
      • I Am Unentitled
      • I Am The Strongest Shape In The World
  • Collaborations
    • Tactility Studies
  • Home
  • About
  • Events
  • Ghosting
  • Choreography
    • Select Experiments
    • We The People
    • MAMAMILKMACHINE™ >
      • Two Crayons (2022)
      • A Mother Prepares (2022)
      • bleelly and oto and iPhone (2022)
      • World Pacifier (2021)
      • Mama Made A Movie Star (2021)
      • Wo Bu Hui Zuo Ren 我不会做人 / I won't be human (2021)
      • This Right Now (2021)
      • Not Not A Paleontologist (2021)
      • Not Not A Manifesto (2021)
      • Not Not Not Not A Mother (2021)
      • Anticipation (2021)
    • The I Trilogy >
      • I'm Guessing This Way Is Up
      • I Am Unentitled
      • I Am The Strongest Shape In The World
  • Collaborations
    • Tactility Studies
I write, mostly about dance and live performance. Some of my writings about dance seen in Singapore are published on ArtsEquator and FiveLines. I have also written for Esplanade Offstage.

Select articles about dance:
How to have a dancer's body: Dismantling barriers of disability, myth of bodily perfection (April 12, 2023)
Review of William Forsythe's Impressing The Czar by Dresden Semperoper Ballett (March 15, 2019)
Feature on William Forsythe
Feature on Forsythe at Esplanade - Theatres on the Bay
Review of Choy Ka Fai's Dance Clinic (October 21, 2017)
Review of Dada Masilo's Swan Lake (October 20, 2017)
A Short Essay - Making Dance is Labour Intensive, A Ridiculous Business
Review of Tan Liting's Pretty Butch (January 14, 2017)
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© COPYRIGHT 2023. BERNICE LEE. ALL RIGHTS RESERVED. SOME SITE IMAGES COURTESY OF TAN NGIAP HENG.
  Bernice Lee - when I dance I make a sound
  • Home
  • About
  • Events
  • Ghosting
  • Choreography
    • Select Experiments
    • We The People
    • MAMAMILKMACHINE™ >
      • Two Crayons (2022)
      • A Mother Prepares (2022)
      • bleelly and oto and iPhone (2022)
      • World Pacifier (2021)
      • Mama Made A Movie Star (2021)
      • Wo Bu Hui Zuo Ren 我不会做人 / I won't be human (2021)
      • This Right Now (2021)
      • Not Not A Paleontologist (2021)
      • Not Not A Manifesto (2021)
      • Not Not Not Not A Mother (2021)
      • Anticipation (2021)
    • The I Trilogy >
      • I'm Guessing This Way Is Up
      • I Am Unentitled
      • I Am The Strongest Shape In The World
  • Collaborations
    • Tactility Studies
  • Home
  • About
  • Events
  • Ghosting
  • Choreography
    • Select Experiments
    • We The People
    • MAMAMILKMACHINE™ >
      • Two Crayons (2022)
      • A Mother Prepares (2022)
      • bleelly and oto and iPhone (2022)
      • World Pacifier (2021)
      • Mama Made A Movie Star (2021)
      • Wo Bu Hui Zuo Ren 我不会做人 / I won't be human (2021)
      • This Right Now (2021)
      • Not Not A Paleontologist (2021)
      • Not Not A Manifesto (2021)
      • Not Not Not Not A Mother (2021)
      • Anticipation (2021)
    • The I Trilogy >
      • I'm Guessing This Way Is Up
      • I Am Unentitled
      • I Am The Strongest Shape In The World
  • Collaborations
    • Tactility Studies